Επιστημονικά άρθρα για τη Συλλογή Βελιμέζη

Βαρκελώνη / Barcelona
-Dr Eduard Carbonell, Director General del Museu Nacional d’Art de Catalunya, Bizanci i Catalunya: dos arts paral·lels ?
-Dr Alexis Eudald Solà, Reial Acadèmia de Bones Lletres, La llum daurada de l’Imperi Bizanti.
-Dra Nanó Khatzidaki, A manera d’apèndix : dues icones cretenques a Catalunya.
Τολέδο / Toledo
-José Pedro Muñoz Herrera, Consejería de Educación y Cultura, Recuerdos bizantinos de dos obras toledanas de El Greco.
-Miguel Cortés Arrese, Universidad de Castilla-La Mancha, A propósito del arte bizantino en España.
-Dr Alexis Eudald Solà, de la Real Academia de Buenas Letras de Barcelona, La luz de oro del Imperio Bizantino…
Λισαβόνα / Lisbon
-Isabel Cruz Almeida, Directora do Mosteiro dos Jerónimos, Ex Oriente Lux (και αγγλικά / also in English).
-Prof. José Luís de Matos, Ícones, a codifição da realidade / Icons. The Codification of Reality.
-Renée Richer, Présidente de la Chaire Platon du Centre Universitaire Méditerranéen, Professeur à l’Université de Nice, Vivante icône.
-Gilbert Dagron, Membre de l’Institut, Professeur au Collège de France, Images, icônes, œuvres d’art.
Βενετία / Venice
-Chryssa Maltezou, Professoressa dell’Università de Atene, Direttore dell’ Istituto Ellenico di Venezia, Figurare l’invisibile (και αγγλικά / also in English).
-Massimo Cacciari, Professore Istituto Universitario di Architettura di Venezia, Porte della vita / Life-Gates.
-Ennio Concina, Professore Università degli Studi Ca’Foscari di Venezia, Icona e tradizione bizantina / Byzantine Icon and Tradition.
-Nanò Chatzidakis, Professoressa dell’Università di Ioannina, Pittura post- bizantina delle icone / Post-Byzantine Icon Painting.
Φραγκφούρτη / Frankfurt
-Prof. Nano Chatzidakis, Universität Ioannina, Kommentare zu Griechischen Ikonen des Ikonen-Museums Frankfurt / Comments on Greek Icons in the Frankfurt Ikonen-Museum.
-Dr Snejanka Dobrianova Bauer, Kustodin am Ikonen-Museum der Stadt Frankfurt am Main, Stiftung Dr Schmidt-Voigt, Der Glanz des Himmels. Ikonen der Sammlung Emilios Velimezis Athen / The Splendour of Heaven. Icons from the Emilios Velimezis Collection, Athens.
Βιέννη – Βερολίνο / Vienna – Berlin
-Prof. Dr Dr h.c. Diether Roderich Reinsch, Byzanz nach dem Ende seiner staatlichen Existenz / Το Βυζάντιο μετά το τέλoς της κρατικής του υπόστασης / Byzantium after it ceased to exist as a state.
-Dr Richard Zacharuk, Director of the Ikonen-Museum in Frankfurt /M., Stiftung Dr Schmidt-Voigt, Post-Byzantine Art / Μεταβυζαντινή τέχνη.
Κρακοβία / Cracow
-Mirosław P. Kruk, Curator National Museum of Cracow, Arsenal of the Princes Czartoryski Museum, Miedzy Kandia, Wenecja.
-Mirosław P. Kruk, Curator National Museum of Cracow, Arsenal of the Princes Czartoryski Museum, Wzorniki I Srebra Liturgiczne.
Αλεξάνδρεια / Alexandria
-Prof. Pavlos Samios, From Ancient Greek Art to Byzantine and Post-Byzantine Tradition (στην αραβική / in Arabic).
Αγία Πετρούπολη / Saint Petersburg
-Юрий Пятницкий, Старший научный сотрудник, хранитель коллек- ции византийских и поствизантийских икон Государственного Эрмитажа, Греческие иконы в России.
-Yuri Pyatnitsky, Senior-Curator of the Byzantine and Post-Byzantine Icons Collection. The State Hermitage Museum, Greek Icons in Russia.
-Christos Ph. Margaritis, Curator of the Velimezis-Margaritis Collection, Cretan Icons from Athens to Hermitage.
Μόσχα / Moscow
-Maria Nanou, MA History of Byzantine Art, The Synaxis of the Archangels: the Depiction of a Triumph.
-Katerina Dellaporta, Director of the Byzantine and Christian Museum, The Despotic Icon of the Iconostasis in the Church of the Archangels (Taxiarches).
-Thalea Stefanidou, Art Historian, ABC D’Art. A Type of Glossary with Terms from Byzantine Iconography.
-Nikos Koundouros, Film Director, Extracts from the text written by Nikos Koundouros when he parted with his icons, donating them for the purposes
of the Velimezis Project.
-Christos Ph. Margaritis, From Iconography to the Giant Cinema Poster…and Back again to the Churches.
-Christos Ph. Margaritis, Nikos-Gabriel Pentzikis. In Memoriam. 20 Years Later…

Ειδικές Εκδόσεις / Special Editions
-Eva Haustein-Bartsch und Nano Chatzidakis, hsgb., Griechische Ikonen. Beiträge des Kolloquium zum Gedenken an Manolis Chatzidakis / Greek Icons. Proceedings of the Symposium in Memory of Manolis Chatzidakis, Recklinghausen, Athens 2000 ISBN 960-8452-82-1, Greece, ISBN 3-929040-47-6, Germany.
(για τα Πρακτικά πατήστε εδώ)
-Anastasia Stouraiti, La Grecia nelle raccolte della Fondazione Querini Stampalia, Fondazione Scientifica Querini Stampalia, Venezia 2000. Έκδοση στο πλαίσιο της Έκθεσης / Publication in the framework of the Exhibition «Figurare l’Invisibile. Icone greche della Collezione Velimezis a Venezia», Palazzo Querini Stampalia, Venezia, 31/3-25/6/2000.
-Proceedings of the Symposium «Il Contributo Veneziano nella Formazione del Gusto dei Greci (XV-XVII sec.)». Organization: Chryssa Maltezou, Hel- lenic Institute of Byzantine and Post-Byzantine Studies in Venice (2-3 June 2000), in collaboration with the Benaki Museum, the Fondazione Scientifica Querini Stampalia and the University Ca’ Foscari di Venezia, on the occasion of the Εxhibition «Figurare l’Invisibile. Icone greche della Collezione Velimezis a Venezia», ISBN 960-7743-18-0.
-Ασπασία Παπαδοπεράκη, Μελετώντας τον Θεοτοκόπουλο, Μουσείο Μπενάκη, Αθήνα 2002. Έκδοση που συνόδευσε την ομιλία της Ασπασίας Παπαδοπεράκη για τις «αρμονικές χαράξεις» στο πλαίσιο της Έκθεσης «Der Glanz des Himmels. Griechischen Ikonen der Sammlung Velimezis».
(για το σύγγραμμα πατήστε εδώ)
-Aspassia Papadoperaki, Domenicos Theotokopoulos. A study of his compositions, Benaki Museum, Athens 2002. Publication that accompanied Aspassia Papadoperaki’s lecture on ‘harmonious proportions’, in the framework of the Exhibition ‘Der Glanz des Himmels. Griechische Ikonen der Sammlung Velimezis’.
-Proceedings of the Conference ‘Byzantium within the Context of World Culture’, dedicated to the Memory of Alisa Vladimirovna Bank, 1906 – 1984, Saint Petersburg, The State Hermitage Publishers, 2010. Article: Dr Yuri Pyatnitsky, The perception of the exhibition of the Icons from the Velimezis Collection by the public (σελ./pp. 591-597).